Nesting Series

While renovating her Tasmanian home and studio Manning observed the bird life and saw a parallel between these 'homes' and our own, all are transient and will eventually, like ourselves, disappear. The Nesting Series begun during 2012 - 2013 and continued in 2016 explores the transience of life and the commercialization of our homes.

The work 'Chance, Nesting Series' won the 2016 Kingborough Art Prize and 'Nesting Series I' was a finalist in the 2013 Eutick Memorial Still Life Award.

Henrietta Manning Nesting Series I.jpg

Nesting Series I acrylic on masonite x6 30 x 26 cm Finalist Eutick Memorial Still Life Award 2013

 

'Nesting', 'feather your nest', 'empty nesters', 'nest egg' took on new meaning as Manning painted more than 50 nests and small birds from life. Stripping back walls at home and then observing the Oatlands conservation department’s careful separation of layers of sucessive wallpapers for preservation, the artist became fascinated by the layering of materials. Each successive generation makes their mark and are then covered over by the next. Manning created abstract collages using hessian, newspaper, wallpaper, old photographs and real estate related text to juxtapose with specific nests. The nests beauty and individuality stand out from a distance, but up close the viewer is made to consider the world of real estate and finance.

Manning looks at how homes are purchased and sold: packaged not to meet actual needs but as a way of living, an opportunity, 'lifestyle' choice. Quality of life has become inexorably linked to a sense of social status and future financial security.

The artist questions what is really important about the homes we seek? What is our footprints damage on the 'homes' of other creatures?

Walls Can Talk, Nesting Series collage on masonite 110 x 91.5cm

Walls Can Talk, Nesting Series collage on masonite 110 x 91.5cm

Nesting Series was exhibited at Salamanca Art Centre, Hobart, Tasmania in 2016

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Van Diemens Memento Mori 2013/2014