In Face of Isolation

 Attracted by the historical significance and geographical isolation of the old gold mining towns of Hill End, NSW and Walhalla, VIC, Manning wanted to discover what had become of these once thriving towns of thousands.
Who lived there now, miles away from services most of us take for granted, amongst the historic remains of a bygone era and the ever encroaching bush?

Hill End School. 19 suspended boards acrylic on masonite total size 122 x 238 cmFinalist Alice Prize 2006 NT.

Hill End School. 19 suspended boards acrylic on masonite total size 122 x 238 cm

Finalist Alice Prize 2006 NT.

 Created through two artist residencies in the historic gold mining towns of Hill End, NSW [Bathurst Regional Gallery Hill End Residency Program and Walhalla, VIC [self initiated, supported by The Walhalla Heritage League and Regional Arts Victoria], the series In Face of Isolation captured a moment in time in the life of those towns through the faces of the local people.

Hill End Public School was a finalist in the 2006 Alice Prize, NT.

 Hill End, New South Wales.

 'Hill End Public School' 19 panels depict students and staff around an image of the School. A country school with Headmistress and one full time teacher, the 17 students of all ages work together in a single class. Manning painted everyone in sittings of one and half hours or less, she also initiated a self portrait project with an exhibition combining students and her own works at the local church.

Denison Street, Hill End. acrylic on masonite 33 x 184 cm

Denison Street, Hill End. acrylic on masonite 33 x 184 cm

Panoramic Vista, Hill End. acrylic on masonite 28 x 184 cm

Panoramic Vista, Hill End. acrylic on masonite 28 x 184 cm

 The Inhabitants of Hill End

The Mobbs.  x 5 panels 30 x 26 cm acrylic on masonite

The Mobbs. x 5 panels 30 x 26 cm acrylic on masonite

The Mobbs

 Hill End has attracted many artists to its streetscapes and buildings from the village’s 1870s goldmining heyday. In August 1947 Donald Friend and Russell Drysdale arrived, the former purchasing a cottage in Hill End now called Murrays Cottage. Visiting artists included Margaret Olley, Jean Bellette, Paul Haefliger, David Strachan and Jeffrey Smart. Eventually Bellette and Haefliger also bought a cottage. Haefligers and Murrays cottages are now part of the Hill End Artists in Residence Program.

Members of the Mobbs family not only remember Donald Friend but Albert Mobbs as a boy posed for Russell Drysdale’s The Cricketers. (1955).

Deserted Cottage acrylic on masonite 33 x 116 cm

Deserted Cottage acrylic on masonite 33 x 116 cm

Hill End Panel I. x 21 acrylic on masonite panels each 30 x 26 cm

Hill End Panel I. x 21 acrylic on masonite panels each 30 x 26 cm

Hill End Panel II. x 15 acrylic on masonite panels each 30 x 26 cm

Hill End Panel II. x 15 acrylic on masonite panels each 30 x 26 cm

Sunset over Haefliger's Fence acrylic on masonite 29 x 120 cmCollection Bathurst Regional Art Gallery.

Sunset over Haefliger's Fence acrylic on masonite 29 x 120 cm

Collection Bathurst Regional Art Gallery.


 Walhalla, Victoria.

Looking Down Walhalla acrylic on masonite 63 x 26 cm

Looking Down Walhalla acrylic on masonite 63 x 26 cm

 
Spett's Cottage acrylic on masonite 63 x 26 cm

Spett's Cottage acrylic on masonite 63 x 26 cm

 Walhalla in Victoria’s Gippsland developed in the gold rush of late 1862. Also a town at the end of the road it contrasts with the Hill Ends topograhy and climate, being in a steep sided valley surrounded by alpine wilderness. A few committed residents remain all year in the town which now survives predominatly on tourism.

 Inhabitants of Walhalla

Walhalla Panel I. x 14 acrylic on masonite panels each 30 x 26 cm

Walhalla Panel I. x 14 acrylic on masonite panels each 30 x 26 cm

Walhalla Early Morning. acrylic on masonite 46 x 83 cm

Walhalla Early Morning. acrylic on masonite 46 x 83 cm

Walhalla Panel II. x 18 acrylic on masonite panels each 30 x 26 cm

Walhalla Panel II. x 18 acrylic on masonite panels each 30 x 26 cm

Walhalla Dusk acrylic on masonite 58 x 92 cm

Walhalla Dusk acrylic on masonite 58 x 92 cm

 Using a technique she named 'fast heads', 78 people [aged from 4 to 80 years old] and 3 animals were each painted from life in one and a half hour single sittings in homes, the open air, pubs and even down the Walhalla Mine. To place them in context the portraits were combined with landscapes and still lives.


’In Face of Isolation’ was first exhibited in Melbourne at the Catherine Asquith Gallery in 2005, then the Hill End component with some additional works, toured to Hill End Art Gallery and Bathurst Regional Gallery NSW in 2006 when Manning was given the opportunity of a further residency.

Opening Night Photographer H. Hutchinson

Opening Night Photographer H. Hutchinson

 
Ollie Dobratz Photographer H. Hutchinson

Ollie Dobratz Photographer H. Hutchinson

Colin Sinclair - The Sheriff Photographer H. Hutchinson

Colin Sinclair - The Sheriff Photographer H. Hutchinson

 
Nic Pryke Photographer H Hutchinson

Nic Pryke Photographer H Hutchinson

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Hill End Residency II 2006